THE TRUTH ABOUT ROCK AND ROLL AND THE SPIRIT BEHIND IT

Posted: August 4, 2014 in HOT TOPICS
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rock-and-roll

 

“There is a way which seemeth right unto a man, but the end thereof are the ways of death.” Proverbs 14:12

 

Long before the earth was created, long before there was a place called Eden, long before God created man out of dust and named him “Adam”, there was Lucifer. Before God created the vast heavens, the solar systems and all its components, there was Lucifer. The prophet Ezekiel described Lucifer (Satan) this way:

Ezekiel 28:13 – “Thou hast been in Eden the garden of God; every precious stone was thy covering, the sardius, topaz, and the diamond, the beryl, the onyx, and the jasper, the sapphire, the emerald, and the carbuncle, and gold: THE WORKMANSHIP OF THY TIMBRELS AND OF THY PIPES WAS PREPARED IN THE DAY THAT THOU WAST CREATED.

14 Thou art the anointed cherub that covereth; and I have set thee so: thou wast upon the holy mountain of God; thou hast walked up and down in the midst of the stones of fire.

15 Thou wast perfect in thy ways from the day that thou wast created, till iniquity was found in thee.

16 By the multitude of thy merchandise they have filled the midst of thee with violence, and thou hast sinned: therefore I will cast thee as profane out of the mountain of God: and I will destroy thee, O covering CHERUB, from the midst of the stones of fire.

These were the same words that were speoken of lucifer in Isaiah 14:11 (11 All your pomp has been brought down to the grave, along with the NOISE OF YOUR HARPS; maggots are spread out beneath you and worms cover you.)

There is no question that at one point in time (or times past) Satan, before his fall, was involved within music and its use to praise and worship God. Satan is called the “prince of the power of the air” in Ephesians 2:2. He is the “ruler of this world” in John 12:31. These titles and many more signify Satan’s capabilities. To say, for example, that Satan is the “prince of the power of the air” is to signify that in some way he rules over the world and the people in it.This is not to say that he rules the world completely; God is still sovereign. But it does mean that God, in His infinite wisdom, has allowed Satan to operate in this world within the boundaries God has set for him. When the Bible says Satan has power over the world, we must remember that God has given him domain over unbelievers only. Believers are no longer under the rule of Satan (Colossians 1:13). Unbelievers, on the other hand, are caught “in the snare of the devil” (2 Timothy 2:26), lie in the “power of the evil one” (1 John 5:19), and are in bondage to Satan (Ephesians 2:2).

Since Satan has power, influence and ultimate control over the kingdoms of this world (the kingdoms of men) and how they operate, it should be understood that within the structure of this world, Satan is ultimately controlling every major aspect of this world, from the political structure, all the way down to its social structures – sports, entertainment and even education.
Yet one of the things I believe Satan has had more influence in is in fact something we all have some unique, or emotional aspect to, and that is music. When God created man, he created him spirit, soul and body, and within that fabric of creation, God imparted into all of us emotions which even to this day, play a significant part of our genetic make-up, and music happens to be one of those special gifts to affect those emotions we have to a great degree. Music severely influences our psyche, and the outcome of our behavior is contingent upon the type of music we choose to listen to. We can see that influence from the early days of rock and roll itself.
Throughout the turn of the century, music played a significant part in the world’s culture, but in America, music played a part from the nations entry into the 20th century. From Swing, which played on the suggestive nature of women in knee high skirts and provocative gestures, to the sounds of the big bands of the 30’s and 40’s. The one common theme in that particular era of music was the subtly sexuality in the undertones of not only the music, but lyrics as well. The music from the 20’s thru the 40’s world war era was played out spiritually to those who could understand the deceit behind the music, and that deceit was none other than Satan.
Yet it would not be until another decade that rock music, under the guise of “doo wop” and the introduction to three young men, namely, Elvis Presley, Jerry Lee Lewis and Chuck Berry, that something would stir within America that would change forever how music would be used to influence an entire generation, and eventually an entire society.
The actual origins of “rock and roll”, its style, its rhythm and so on, can be directly traced back to the tribal lands of Africa, where, in voodoo ceremonial rituals, the actual spirit of the foundation of that particular world would one day influence the very land in the future when it came to music. History sadly recounts America’s part in the slave trade, and not only did slaves from the land of Africa come into the United States, but what these people brought with them was something more than just their diversity in culture, but their knowledge of the mystic world of black magic.
In every case study, from Elvis to the Beatles to later groups who would reach superstar status, each individual, or group was influenced in some way, shape or form from the core of Voodoo. It is a well planned scheme of the enemy that he would eventually use the tribal occult music of the African plains, to bring about the very spirit of what we now see as rock and roll.
If we were to examine all of the past incidences of some of Rock music’s greatest superstars, volumes could be written about how supernatural occurrences, demonic manifestations, strange cases of demonic possessions played a part in the lives of many who went on to rock fame. Stories such as the Beatles, biographer Philip Norman writes: “Their (beatles) only regular engagement was a strip club. The club owner paid them ten shillings each to strum their guitars while a stripper named Janice grimly shed her clothes before an audience of sailors, guilty businessmen and habitues with raincoat-covered laps.” (Philip Norman, Shout! The Beatles in Their Generation, p. 81)

The Beatles got their first big break in Germany, in August 1960, when they obtained a booking at a jazz club in Hamburg’s notorious Reeperbahn district. Describing the area Norman writes it had, “red-lit windows containing whores in every type of fancy dress, all ages from nymphet to granny…Everything was free. Everything was easy. The sex was easy… Here it came after you.” (Philip Norman, Shout! The Beatles in Their Generation, p. 91)

Far from the picture of innocence, the Beatles, even in their first performances, were always high on a drug called Preludin, “John (Lennon), would be foaming at the mouth, he’d have so many pills inside him…John, began to go berserk on stage, prancing and groveling…The fact that the audience could not understand a word he said, provoked John into cries of `Sieg Heil!’ and `F____ing Nazis’ to which the audience invariably responded by laughing and clapping.” (Philip Norman, Shout! The Beatles in Their Generation, pp. 152,91)

Off the stage, the Beatles were just as evil. Norman continues, “while in Hamburg, John, each Sunday would stand on the balcony, taunting the churchgoers as they walked to St. Joseph’s. He attached a water-filled contraceptive to an effigy of Jesus and hung it out for the churchgoers to see. Once he urinated on the heads of three nuns.”(Philip Norman, Shout! The Beatles in Their Generation, p. 152)

While in Hamburg, in June of 1962 the Beatles received a telegram from their manager, a homosexual named Brian Epstein, who was back in England. “Congratulations,” Epstein’s message read. “EMI requests a recording session.” EMI was one of Europe’s largest record producers, and their role in promoting the Beatles would be key in the future.

Under the the strict guidance of EMI’s recording director George Martin, and Brian Epstein, the Beatles were scrubbed, washed, and their hair styled into the Beatles cut. EMI’s Martin created the Beatles in his recording studio.

Martin was a trained classical musician, and had studied the oboe and piano at the London School of Music. The Beatles could neither read music nor play any instrument other than guitar. For Martin, the Beatles musicianship was a bad joke. On their first hit record, “Love Me Do,” Martin replaced Ringo on the drums with a studio musician. Martin said Ringo, “couldn’t do a [drum] roll to save his life.” From then on, Martin would take the simple little tunes the Beatles would come to him with, and turn them into hit records.

John Lennon once explained how he came to naming the group “The Beatles”, as a spirit, came to him while under a drug, he was caught up in a “vision” in that he was told by a “voice” that he was to name the group “The Beatles” and not depart from it, for they would be great and famous. Again, spirituality from another source.

In his book, The Ultimate Evil, investigator-author Maury Terry writes that between 1966 and 1967, the Satanic cult, the Process Church, “sought to recruit the Rolling Stones and the Beatles.” During this period, Terry reports that a photo of Rolling Stones leader Mick Jagger’s longtime girlfriend, Marianne Faithfull, appeared in an issue of The Process Magazine. The picture shows her supine, as if dead, clutching a rose. Terry’s book goes on to implicate the Process Church cult in the Charles Manson and Son of Sam multiple murders. It was the former lawyer for the Process Church, John Markham, who recently ran the frameup trial against Lyndon LaRouche.

A key link between the Rolling Stones and the Process Church is Kenneth Anger, a follower of the “founding father” of modern Satanism, Aleister Crowley. Anger, born in 1930, and a child Hollywood movie star, became a devoted disciple of Crowley.

Crowley was born in 1875 and was called the “Great Beast.” He was known to practice ritual child sacrifice regularly, in his role as Satan’s high priest or “Magus.” Crowley died in 1947 due to complications of his huge heroin addiction. Before dying, he succeeded in establishing Satanic covens in many U.S. cities including Hollywood. Anger, like Crowley, is a Magus, and appears to be the heir to Crowley.

Anger was seventeen years old when Crowley died. In that same year, 1947, Anger was already producing and directing films which, even by today’s standards, reek of pure evil.

During 1966-1967, when the Process Church is reported to be recruiting in London, Anger was also on the scene. Author Tony Sanchez describes that Rolling Stones’ Mick Jagger and Keith Richard, and their girlfriends Marianne Faithfull and Anita Pallenburg, “listened spellbound as Anger turned them on to Crowley’s powers and ideas.”(Tony Sanchez, Up and Down WIth the Rolling Stones, p.155)

While in England, Anger worked on a film dedicated to Aleister Crowley, called Lucifer Rising. The film brought together the Process Church, the Manson Family cult, and the Rolling Stones. The music for the film was composed by Mick Jagger. Process Church follower Marianne Faithfull went all the way to Egypt to participate in the film’s depiction of a Black Mass. The part of Lucifer was played by a guitarist of a California rock group, Bobby Beausoleil.  Beausoleil was a member of the Manson Family, and Anger’s homosexual lover.

A few months after filming under Anger’s direction in England, Beausoleil returned to California to commit the first of the Manson family’s series of gruesome murders. Beausoleil was later arrested and is now serving a life sentence in prison along with Manson. Having lost his star performer, Anger then asked Mick Jagger to play Lucifer. He finally settled upon Anton La Vey, author of The Satanic Bible and head of the First Church of Satan, to play the part. The film was released in 1969 with the title Invocation To My Demon Brother.

In London, Anger had succeeded in recruiting to Satanism the girlfriend of one of the Rolling Stones, Anita Pallenberg. Pallenberg had met the Rolling Stones in 1965. She immediately began sexual relations with three out of the five members of the group.

Anger, commenting on Anita, said, “I believe that Anita is, for want of a better word, a witch…The occult unit within the Stones was Keith and Anita…and Brian. You see, Brian was a witch too.”

One of the group’s friends, Tony Sanchez, writes of Pallenberg in his book, Up and Down with the Rolling Stones, “She was obsessed with black magic and began to carry a string of garlic with her everywhere–even to bed–to ward off vampires. She also had a strange mysterious old shaker for holy water which she used for some of her rituals. Her ceremonies became increasingly secret, and she warned me never to interrupt her when she was working on a spell.”(Tony Sanchez, Up and Down WIth the Rolling Stones, p.159)

He continues, “In her bedroom she kept a huge, ornate carved chest, which she guarded so jealously that I assumed it was her drug stash. The house was empty one day, and I decided to take a peep inside. The drawers were filled with scraps of bone, wrinkled skin and fur from some strange animals.”(Tony Sanchez, Up and Down WIth the Rolling Stones, p.159)

In every group, every entertainer, no matter how great or small, have been influenced by the spirit behind rock music, this spirit is antichrist, it is Satan, it is demonic. We can see even today, where performers such as Katy Perry, Madonna, Beance’, and so many more, have all played a part in the spiritual Satanic rite to continue the plague upon society by taking music to a deeper, darker level in the pit from hell, and they intend on taking this style of music and its spirit to the generations rising up in these last days.

I believe the spirit behind today’s music in the world is condition society, the youth, the end time generation to a level of antichrist worship in the last, final days of humanity. And we have one man to look to when we speak about rock music, and his name is Aliester Crowley.

Aliester Crowley is without a doubt, the main spiritual “teacher” of rock music. Crowley’s mission in life was to destroy Jesus Christ and Christianity, while exalting sex perversion, drugs, magick and Satan. Aliester Crowley spews his hatred of Jesus Christ in The World’s Tragedy:

 

I do not wish to argue that the doctrines of Jesus, they and they alone, have degraded the world to it’s present condition. I take it that Christianity is not only the cause but the symptom of slavery.” (Aleister Crowley, The World’s Tragedy, p. XXXIX)”That religion they call Christianity; the devil they honor they call God. I accept these definitions, as a poet must do, if he is to be at all intelligible to his age, and it is their God and their religion that I HATE and will DESTROY.” (Aleister Crowley, The World’s Tragedy, p. XXXI)

In the introduction of The World’s Tragedy, Israel Regardie says:

“This long, almost epic poem is one of the most bitter and vicious diatribes against Christianity that I have ever read.”

Crowley’s most famous teaching, “Do what thou wilt shalt be the whole of the law” became the “mantra” of the 60’s revolution of drugs, sexual perversion and anti-Christianity. “Do your own thing” — “If it feels good do it”.

THE BEATLES & CROWLEY

According to The All Music Guide, The Beatle’s Sgt. Pepper album, “will forever be known as the recording that changed rock & roll”. Time magazine said, Sgt Pepper’s was “drenched in drugs.” (Time, Sept. 26, 1967, p.62)

The cover of Sgt. Pepper’s showed the Beatles with a background of, according to Ringo Starr, people “we like and admire” (Hit Parade, Oct. 1976, p.14). Paul McCartney said of Sgt. Pepper’s cover, “. . . we were going to have photos on the wall of all our HEROS . . .” (Musician, Special Collectors Edition, – Beatles and Rolling Stones, 1988, p.12)

One of the Beatle’s heros included on the cover of Sgt. Pepper’s was — the infamous Aliester Crowley! Most people, especially in 1967, did not even know who Crowley was — but the Beatles certainly did.

 

From the early days of Alan Freed (who coined the term ‘rock and roll’ as a reference to sex in the backseat of a car) and wolfman Jack of the late 50’s era, to the radical hippie movement, sex culture of the 1960’s where Woodstock would be the final culmination to the free love spirit of the decade, then into the drug culture movement, not to mention the open significance of the occult influence to the music of the 1970’s, rock music produced more content for human destruction than anything else humanity could design and delve into.

It’s interesting to note that In 1985, New Solidarity newspaper, which has since been forcibly shut down by the federal government, conducted an interview with Hezekiah Ben Aaron, then the third-ranking member of the Church of Satan. Ben Aaron is now a devout Christian. In the interview, Aaron revealed that it was his Church that started such “heavy-metal” rock groups as Black Sabbath, The Blue Oyster Cult, The Who, Ozzy Osbourne, and many others. The Church of Satan was then led by its high priest, Anton LaVey. Many report, however, that LaVey, a former circus lion tamer, was just a front man for the real high priest, Kenneth Anger, the man who earlier recruited the Rolling Stones to the occult.

Music has a powerful condition to it that can play with our emotions, good or bad, and if it’s not lifting up Christ, or the heavenly Father, then we need to ask ourselves one thing, who is it lifting up then? Every song that is played, every melody orchestrated, every lyric written all comes from something, nothing comes from nothing. Satan has just a part in the world of music within this world as God does. The issue is, does this style of music truly lift up Christ? If we take a step backwards and examine the mountain of growing evidence which seems to be happening every day, then we have to answer  – no, God is not in this form of music, but Satan is, for it is actually his music, for it glorifies him. As God has given us some of the greatest hymns the church world has known, Satan equally has produced his own style of music to lift him up, to praise him, to worship him, and sadly, many today are singing the praises of Satan and they do not even know it.

Satan’s greatest desire is to be worshiped as God, his entire fall came from pride, the desire to be seen as God, but his desire was short lived as he was removed from the heavens and today walks the earth, manipulating many with promises of fame and fortune, but it all comes to destruction in the end, for Satan has no desire to share his glory, but that all humans worship him and him alone. That is the deceitful message behind rock music, for it changes the foundation of worship from God to Satan, and many desire it’s melody.

The spirit behind rock music is Satan, the spirit behind hip hop is Satan, the spirit behind country music is Satan, and those who fall victim to it are not wise.

Christopher

christopher152@gmail.com

 

 

 

 

 

 

 

 

 

Comments
  1. seeker1234 says:

    Very good!

    Sent from my iPhone

    >

  2. Betty Wiebe says:

    Our Christian youth need to understand this.

  3. Anonymous says:

    what about jazz music, is it the spirit of Satan?

  4. Connie says:

    …. which music is Satan free?

  5. David says:

    I was a DJ for a country music and soft rock radio station. I came to the realization that most of the music is truly evil. Parents, be careful what you are listening to because your children are also listening…

  6. Anonymous says:

    so i can’t listen to any of it not even for entertainment or to enjoy.

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